The songs, which usually accompany an all-male dance enacting the preparation for war with guns or sticks, have a rather austere character Aydoun Les accents Africains Jamel Comedy Club. Although always enjoyable, the recordings of Abdelkader Amlil CD 7 and Ahmed Boussou CD 8 present the gnawa repertoire as a compilation of songs rather than as a part of a lila or of a dance suite. The audible absence of a musical development, of a crescendo that constitutes a central aspect of most of the genres present in the anthology, may be directly connected with the way in which the recordings were carried out. Chants du Rif Sellam Mounes [ Ahmed Aydoun Rabat Cheb Djalil – Nssayer M3ak Zahri.
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Unlike the more typical Moroccan style of Andalusian music, gharnati uses a small ensemble and emphasizes solo singing. Although always enjoyable, the recordings of Abdelkader Amlil CD 7 and Ahmed Boussou CD 8 present the gnawa repertoire as a compilation of songs rather than as a part of a lila or of bzna dance suite. In addition to this, there are also discrepancies between the titles listed in the booklets and those on the backs of the CDs, and with the sequence of the CDs themselves for example, Hajib is listed as CD 5 of volume I while it is actually CD 6. Cheb Djalil – Nssayer M3ak Zahri. Finally, the documentation for these recordings abdegrahim disappointing at best—extremely limited in scope and sometimes confusing or inaccurate. Achaari and the generous support of MarocTelecom, however, the recordings can only be considered as an initiation to the Moroccan musical panorama rather than a document of real archival value.
If this collection is not perfect, however, it is nonetheless a noble effort.
Aâbidat Rma CD 1. Dadju – Escort.
Abderrahim Bana Telecharger Mp3 Mazikna
Mohamed Boudrous CD 2 and Sellam Mounes CD 3 respectively represent the old and the new music traditions of the Rif, a mountain region in the north of Morocco that is largely populated by the Tarifit-speaking Berbers.
RimK – Cactus. A first but fundamental problem lies in the fact that although the genres presented in the anthology are, with abderahim exceptions, living musical traditions, these recordings were made neither in the field nor during live stage performances. The songs, which usually accompany an all-male dance enacting the preparation for war with guns or sticks, banx a rather austere character Aydoun Their ceremony hadra begins with the recitation of a litany dhikr and the singing of poems in honor of Allah, the Prophet and the saints.
These CDs present some of the varieties of this strophic song style practiced along the Atlantic Plains of Bqna. Gnawa Ahmed Boussou [ The anthology was compiled under the artistic direction of Ahmed Aydoun, who supervised the recordings in consultation with various specialists. Chants du Rif Sellam Mounes [ Abdou Ben Tayeb – Andah Ayachifar.
Krtas Nssa – Abdeerrahim In Peace. Rkia Azrou – Ata Mayrikh. The repertoire of the Jbala musicians, from the northwest of Morocco, is based on two genres: The Gnawa —whose ancestors came from Sub-Saharan Africa to Morocco as merchants, mercenaries, or, principally, slaves—traditionally perform in all-night ceremonies lila in order to secure peace of mind and heal their followers.
Abderrahim Bana Tkitikat Marrakech تقيتيقات مراكش مع المعلم بانا Mp3 Télécharger
Chants des Juifs CD 5. Banat Aichata et Abba Ould Badou [ Parce que si on ne le faisait pas on risquerait donc banna passer toute la journée, même toute la abverrahim, à chercher un compromis que ne vient pas …. The term aâbidat rma slaves of the archers refers to all-male ensembles who accompany their singing and acrobatic dances with an array of percussion that includes a large pair of scissors beaten with a short stick mqas. Bad Flow – Hayda La. Anthologie de la Musique Marocaine.
Naima Sisse Slawia – Chofni Wfhamni. Kharbousha performed by the Ouled Bouazzaoui. The performance starts with an instrumental introduction that presents fragments of different modes on which the composition is based. Phobia Isaac – Smeagol. In short, a abderrahhim to Moroccan music abderraahim not get a clear picture of the many styles of music represented here, their connections to one another, or, still less, the many musical and social issues that they entail.
To this ensemble the Hmadcha add the harrâzî large single-skin abderrahij goblet-drum held on one shoulderwhile the Jilala accompany their ceremonies with the bendîr and the qasba a long end-blown flute Schuyler Although the Gnawa belief system is heavily influenced by Sub-Saharan religious practice, the musicians and devotees are all practicing Muslims and their songs contain many invocations to recognized Muslim saints.
Aydoun and his collaborators could fail to affect the flow of the agderrahim and, in turn, the outcome of the project 1. Ya warda mp3 file performed by el Fassia Chants patriotiques CD 6.
Ahl Touat Rachid Touati [ And thus all of a sudden they start to get into problems; there are problems with the tuning of the instruments, the abderranim of the voice and thus we decide to change ….
BANA Abderrahim bana, marrakech, riad, dekka, maroc.